David McVicar’s vision for this Mozartian gem speaks for itself, a ‘mesmerising' portrayal of Enlightenment-era fascination with the East
Die Entführung aus dem Serail
Perhaps no opera is as closely and affectionately associated with a single house as Le nozze di Figaro is with Glyndebourne. Effortlessly witty yet shot through with pain and sadness, this deeply ambivalent life in the day of masters and servants as they scheme and outwit one another was Glyndebourne’s opening production in 1934. Michael Grandage’s staging is the seventh, set in a louche Sixties ambience. Marshalled by the ‘ideal pacing’ of Robin Ticciati, a youthful cast of principals has ‘no weak link’ and ‘looks gorgeous’ (The Sunday Times) in a production that continues Glyndebourne’s rewarding history of engagement with Mozart’s and da Ponte’s ‘day of madness’.
(Composer), Sally Matthews (Countess Almaviva), Vito Priante (Figaro), Audun Iversen (Count Almaviva), Lydia Teuscher (Susanna), Isabel Leonard (Cherubino), Ann Murray (Marcellina), (Director), (Conductor)