A vast and ambitious project, Midsummer Night’s dream is danced by the Royal Swedish Ballet and set to a music by Mikael Karlsson. Swedish star pop singer Anna von Hausswolff sings through this great production, evidently one of a kind.

The Royal Swedish Ballet presents a contemporary Midsummer Night’s Dream, starring Swedish pop star Anna von Hausswolff.

Midsummer Night's Dream

Choreographer Christopher Wheeldon and Royal Ballet principals as they discuss the storyline, characters, and choreographer for their production of The Winter's Tale. 

The Winter's Tale: Introduction

Although largely humorous with a healthy sense of irony, the ballet tackles a fundamentally serious theme: the search for one’s better half. In a world where authenticity is eroded by convention, finding the perfect partner is no small feat, and Shakespeare’s play remains as relevant as ever. Rejecting male dominance within the couple unit, Jean-Christophe Maillot chose to focus on what’s vital in a romantic relationship.

Although largely humorous with a healthy sense of irony, the ballet tackles a fundamentally serious theme: the search for one’s better half.

Taming of the Shrew

Yorke Dance Project's made-for-film production of Sir Kenneth MacMillan's Sea of Troubles breathes new life into an acclaimed classic. 

In 1988, MacMillan captivated audiences with his emotionally charged interpretation of Shakespeare's Hamlet. In 2017, Yorke Dance Project revived the work, creating an atmospheric film adaptation that tastefully enhances MacMillan's vision of Hamlet's turbulent world. 

Directed by the documentary director David Stewart (Horizon), this visually stunning production brings MacMillan's original choreography and costumes to the grounds of the moody Hatfield House, an English country estate built in 1611. MacMillan's achingly beautiful dance sequences have a newfound depth as Shakespeare's beloved characters move through the damp halls and misty gardens of the impressive estate.  

Yorke Dance Project's stunning made-for-film production of Sir Kenneth MacMillan's Sea of Troubles.

Sea of Troubles

Royal Ballet Principal Marianela Nuñez delights as Princess Aurora, with Vadim Muntagirov as her Prince Florimund, in this performance of a timeless classic. Marius Petipa’s The Sleeping Beauty holds a special place in The Royal Ballet’s repertory, with its vibrant sets and glittering costumes and featuring such iconic moments as the Rose Adage, the Vision pas de deux, the exuberant wedding celebration and the charming fairy-tale guests, all danced to Tchaikovsky’s richly layered music – one of the most beloved ballet scores of all time. This Sleeping Beauty captures all the magic and virtuosity that ballet has to offer.

Marianela Nuñez delights as Princess Aurora, with Vadim Muntagirov as her Prince Florimund, in this performance of a timeless classic.

Sleeping Beauty (2017)

This ‘’Swan Lake’’ is a ‘’Swan Lake” for our times capable of transporting the audience to another world. The magic in the story suddenly takes hold of the viewer. Ballet is not simply a way of telling the story. Rather than gestures asking to be deciphered, the choreographer created large-scale, visionary movements closer to an artistic language of symbols and plays on the whole spectrum of human emotions. It always maintains a relationship of creative tension with its surroundings, especially the music, the poetry of the set, the use of light and colour, the texture of the costumes. A key element of this artistic responsibility is to tell the story precisely but openly, without pinning it down, especially the ending – an ending which is in a many-facetted sense a “deliverance”. Does this mean that the lovers are saved? Is the spell’s power broken? Are there other kinds of salvation and deliverance? Perhaps even by death and transfiguration? Ballerina Polina Semionova performs the mythic parts of Odette and Odile (white swan and black swan) with her great partner Stanislav Jermakov. The Zurich Opera House Orchestra is conducted by Russian musical director Vladimir Fedoseyev acclaimed in this repertoire.

This ‘’Swan Lake’’ is a ‘’Swan Lake” for our times capable of transporting the audience to another world.

Tchaikovsky: Swan Lake

The Dream is Frederic Ashton’s adaptation of Shakespeare‘s riotous comedy in which a forest sprite plays havoc, armed with a love potion.

The Royal Ballet's Sleeping Beauty stars Marianela Nuñez as Princess Aurora and Vadim Muntagirov as her Prince Florimund.

The Dream

Shakespeare’s great romance gets a magical reimagining through the power of dance with Christopher Wheeldon’s The Winter’s Tale. 

Released to widespread critical acclaim, the Royal Ballet’s 2014 production is a masterful, modern narrative ballet which includes powerful designs by Bob Crowley and music by Joby Talbot. 

Now widely considered a modern classic, the ballet follows the destruction of a marriage through consuming jealousy, the abandonment of a child and a seemingly hopeless love. Yet, through remorse and regret – and after a seemingly miraculous return to life – the ending is one of forgiveness and reconciliation.

Christopher Wheeldon’s critically-acclaimed production of The Winter’s Tale for the Royal Ballet.

The Winter's Tale

A hundred years later, the Lilac Fairy shows Prince Désiré the sleeping Princess in a vision. He falls in love and sets out to find her. When he kisses her, the spell is broken and she awakes. She chooses him as her husband, and they celebrate their marriage with a lavish masked ball.

In Sleeping Beauty, the Prince kisses Princess Aurora, her spell is broken and she awakes and they celebrate their marriage with a masked ball.

Sleeping Beauty

A sparkling tale of magic and mischief, Coppélia has everything a good story ballet should: a touch of enchantment, a dash of romance and masses of sumptuous costumes.
Swanilda and her merry boyfriend Franz live in a village with Dr Coppelius, a sinister magician and inventor who has created a beautiful doll that he sits on his balcony. One day Franz sees the doll, Coppélia, and becomes infatuated with her. Swanilda and her friends decide to explore Dr Coppelius’ house while he is out to see who the mysterious woman is, but he returns suddenly and Swanilda hides – pretending to be Coppélia. At the same time, the love struck Franz finds a ladder and climbs into Dr Coppelius’ house, so Coppelius, who plans to steal his life force to animate his doll, pours him a drink with a sleeping draught in it. When Franz passes out, Coppelius brings out Coppélia so Swanilda pretends to be a doll coming to life. Coppelius is delighted – until Swanilda manages to wake Franz and they escape from the house and are married, sealing their love with a tender pas de deux.
Sorcery and masquerade, romance and high jinks – this is the funniest, sunniest ballet you’ll see all year.

A sparkling tale of magic and mischief, Coppélia has everything a ballet should: a touch of enchantment, a dash of romance and sumptuous costumes.

Coppélia

The romantic ballet by Coralli and Perrot returns in the revival of Yvette Chauviré

Giselle

Scottish Ballet’s 50th anniversary year comes to a spectacular close with the world premiere of The Snow Queen. This glittering new production is inspired by Hans Christian Andersen’s much-loved tale – which was also the basis for Frozen. It will be set to the music of Rimsky-Korsakov, performed live by the full Scottish Ballet Orchestra. From the bustle of a winter’s market to the shivers of a fairytale forest, take a journey to the Snow Queen’s palace, where you’ll find her surrounded by the icy fragments of an enchanted mirror. Along the way you’ll meet a colourful cast of characters, from young lovers parted by a spell to a circus ringmaster with a few tricks up his sleeve.

Scottish Ballet’s 50th anniversary year comes to a spectacular close with the world premiere of The Snow Queen.

The Snow Queen

In a new production for the Royal Swedish Ballet, Eskapist is an entrancing, enthralling testament to the power of dance. 

Choreographed by Alexander Ekman with music from Mikael Karlsson, Eskapist revels in pushing the limits of what can be done on a stage, and the boundless potential of dance. Moving, funny, uplifting and other-worldly, this stunning production is not to be missed.

With Eskapist, Alexander Ekman choreographs a bold new work for the Swedish Royal Ballet.

Eskapist

Widely lauded by critics, choreographer Jonathan Watkins 1984 is an awe-inspiring retelling of George Orwells masterpiece. Winston Smith lives in a world of absolute conformity, his every action scrutinized by Big Brother. However, when Winston meets Julia, he dares to rebel by falling in love. Danced by Northern Ballet the UKs foremost narrative ballet company to a score by Tony-nominated composer Alex Baranowski, this thoroughly modern take on 1984 will change the way you think about ballet. Batley [Winston Smith] and Leebolt [Julia] are excellent, their bodies as vividly present as their faces are haunted. At the chilling end, we realise not only how intently we have been watching, but also that we too may be watched. (Sanjoy Roy, The Guardian) ""This is gripping storytelling"" (The Stage) ""..an ambitious, compelling and, ultimately, moving new ballet. Even more powerful are the intimate duets for Winston and Julia, verboten lovers who are dancing on a metaphorical razor's edge. Thinking themselves free of the gaze of Big Brother, they give themselves to each other with a genuinely moving passion, which is danced gorgeously by Tobias Batley and Martha Leebolt"" (The Daily Telegraph)

Jonathan Watkins 1984 is an awe-inspiring retelling of George Orwells masterpiece

1984

The 2016 production of Frederick Ashton’s final works, Rhapsody, features ballet stars Natalia Osipova and Steven McRae. 

Filmed at London’s Royal Opera House, Rhapsody has long been a favorite for ballet fans. First created in 1980 at the request of Mikhail Baryshnikov, the ballet is set to Sergey Rachmaninoff’s Rhapsody on a Theme of Paganini. 

The male Principal’s role is characterized by exceptionally fluent leaps, turns and lightness of movement, inspired by Baryshnikov himself. It is twinned with the strength and grace of the ballerina, a role created for the pure, fleet-footed style of former Royal Ballet Principal Lesley Collier. The first performance of Rhapsody was given in honor of The Queen Mother’s 80th birthday in 1980.

Experience the 2016 production of Frederick Ashton’s Rhapsody, filmed at the Royal Opera House and starring Natalia Osipova.

Rhapsody

With choreography by legendary French dancer and ballet master, Marius Petipa, Paquita is a wonderful display of triumphant leaps, intricate footwork and movement at its best. 

Originally choreographed for the Paris Opéra Ballet in 1846 by Joseph Mazilier, the story centers on a Spanish gypsy named Paquita, who saves the life of Lucien, a French aristocrat. When she discovers that she is herself of noble blood, they marry in a big celebration.

This performance acts as a sparkling showcase for the Australian Ballet.

The Australian Ballet presents Paquita, the exuberant ballet featuring choreography by legend Mairus Petipa.

Paquita

The Merry Widow ballet is an adaptation of Franz Lehár's romantic operetta The Merry Widow. Originally commissioned by The Australian Ballet and premiering in November 1975

The Merry Widow ballet is an adaptation of Franz Lehár's romantic operetta The Merry Widow.

Merry Widow

The story takes place in Naples where Pulcinella is a local rogue with an eye for the girls. Rosetta, Isabella and Prudenza are infatuated with him, much to the irritation of their boyfriends and Pulcinella's wife, Pimpinella. One night, the boyfriends lie in wait for Pulcinella and beat him soundly. To escape, Pulcinella falls down 'dead' and the men sneak guiltily away, leaving the 'corpse' to be discovered by their girlfriends. Meanwhile, Pimpinella, having caught Pulcinella flirting once too often, persuades her friends to disguise themselves as Pulcinella and pester the girls, to teach them a lesson. When the girls and their boyfriends see the fake Pulcinellas, they are convinced they are seeing ghosts. Pimpinella arrives, the fake Pulcinellas reveal themselves, and the real Pulcinella re-appears. The lovers ask forgiveness, and everyone celebrates.

The story takes place in Naples where Pulcinella is a local rogue with an eye for the girls.

Pulcinella

Because of Tchaikovsky’s imaginative music, “The Nutcracker” is one of the most popular works of the ballet repertoire, instantly bringing to mind scenes of a splendidly decorated Christmas room, dancing snowflakes and the waltz of the flowers. 

The plot of “The Nutcracker” is based on a novella by E.T.A. Hoffmann, one of the most famous writers of German Romanticism. While Hoffmann’s masterful fairy tale jumps eerily back and forth from a dream to reality, many of the ballet adaptations, like Peter Wright's and Marius Petipa's, have lost the darkness woven throughout this romantic fantasy.

In this production, choreographer Christian Spuck attempts to distance himself from traditional choreography and puts the literary origin at the heart of his ballet. Spuck emphasizes the fantastical nature of Hoffman's story and brings back the tale of princess Pirlipat, who turns into a nut monster. 

In Rufus Didwiszus’ stage setting, the workshop of the godfather Drosselmeier turns into an old revue theater, where the characters of the ballet come to life. Spucks’ choreography plays with the richness of characters in E.T.A. Hoffmann’s narrative cosmos, the absurdity and overwrought humor that inhabit them while at the same time looking down into the dark abyss of Romanticism.

Christian Spuck attempts to distance himself from the Dumas/Petipas version and puts the literary origin at the heart of his ballet.

The Nutcracker and the Mouse King

The Royal Ballet’s In Her Hands is part of Marquee TV’s free Summer Shorts series, shining light on new and alternative productions, plus hidden gems. 

Starring Natalia Osipova, the production is set in Paris, 1892, and is inspired by the life and work of French sculptors Camille Claudel and Auguste Rodin. 

Set to the haunting melody of Fauré’s Elegie in C Minor Op24, the production includes choreography by the Royal Ballet’s Valentina Zucchetti.

The Royal Ballet’s In Her Hands stars Natalia Osipova and reflects on the relationship between French sculptors, Camille Claudel and Auguste Rodin.

Romeo and Juliet

The Australian Ballet

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