The stout Sir John Falstaff has financial problems, which he attempts to solve by having affairs with two very wealthy, very married women.
Falstaff
Opera
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Thomas Elwin (tenor) is the soloist in the ecstatic Boyhood’s End (1943), to which Paul Chantry and Rae Piper make response in dance.
(Choreographer), (Director), (Composer), Thomas Elwin (Tenor, Boyhood's End), Paul Chantry (Dancer, Boyhood's End), Katie Stevenson (Mezzo-Soprano, Poems), Bernadette Iglich (Dancer, Poems), Ian Tindale (Pianist), (Choreographer)