In a new production for the Royal Swedish Ballet, Eskapist is an entrancing, enthralling testament to the power of dance. 

Choreographed by Alexander Ekman with music from Mikael Karlsson, Eskapist revels in pushing the limits of what can be done on a stage, and the boundless potential of dance. Moving, funny, uplifting and other-worldly, this stunning production is not to be missed.

With Eskapist, Alexander Ekman choreographs a bold new work for the Swedish Royal Ballet.

Eskapist

Step into the gripping world of 'Creature', a contemporary dance film by renowned choreographer Akram Khan (Giselle) in collaboration with the English National Ballet. Inspired by 'Frankenstein' and 'Woyzeck', it's a raw tale of an outsider's struggle for belonging.

The profound, and at times disturbing, story of ''Creature'' unfolds within the icy walls of an abandoned Arctic research station. Unknowingly drafted into a military experiment, Creature (Jeffrey Cirio) undergoes rigorous testing by a zealous doctor who pushes Creature to the limits of his mental and physical ability. Amid his cruel reality, Creature finds solace and love in the kind and compassionate cleaner, Marie (Erina Takahashi). When the relentless Major's fixation with Marie shatters the fragile balance, Creature is plunged into a heart-wrenching struggle for escape and survival. 

This vividly cinematic film merges Akram Khan's evocative choreography and Asif Kapadia's visionary direction to create an emotionally charged film. ''Creature'' explores yearning, power, and the resilience of human connections. Experience this intense and compelling narrative brought to life by the English National Ballet.

Step into the gripping world of 'Creature', a contemporary dance film by renowned choreographer Akram Khan (Giselle) in collaboration with the English National Ballet. 

Creature

Escape to the glamour and grace of Paris, 1960, with Starstruck – Gene Kelly’s love letter to ballet. 
Having originally trained in classical ballet, the legendary Gene Kelly was invited to create an original work for the Paris Opera Ballet in 1960. His jazzy, joyful Pas de Dieux was hugely influential and acclaimed at the time as ‘a breath of fresh air’, but rarely performed since. It has now been given a new set of wings by Scottish Ballet’s CEO/Artistic Director Christopher Hampson, in collaboration with Kelly’s widow, Patricia Ward Kelly, Tony Award-winning designer Lez Brotherston, and film director Oscar Sansom.
This immersive feature film will combine live performance capture of Scottish Ballet’s five-star stage production with cinematic sequences inspired by the golden age of Hollywood.
Set to Gershwin’s effortlessly cool Concerto in F, with extracts from Chopin; Starstruck is exactly the evening of entertainment you’ve been longing for.

Gene Kelly’s Starstruck was an ode to Paris. Now, filmed live with the Scottish Ballet, rediscover Hollywood’s Golden Age through dance and Gershwin.

Starstruck

Experience Peter Wright’s acclaimed production of Giselle, one of the greatest Romantic ballets of all time.

Choreographer and director Peter Wright brings Marius Petipa’s timeless tale of betrayal, the supernatural and love that transcends death to the Royal Opera House in a moving, spell-binding production. 

This is your chance to watch a production so revered it has been danced by The Royal Ballet since 1985.

Peter Wright’s production of the classic ballet Giselle, starring Marianela Núñez.

Giselle

Watch three bite-sized performances inspired by Tchaikovsky’s iconic Swan lake. 

Choreographer Eric Gauthier asked star choreographers Hofesh Shechter, Cayetano Sato, and Marco Goecke tending to take a single aspect or idea from the classic swan lake and transform it into something completely unique. There are no swans or white tutus here. Instead, each piece is a new and exciting creation. 

Hofesh Schechter’s Swan Cake is a burst of energy featuring 8 dancers in constant motion. 

Cayetano Sato’s Untitled for 7 Dancers is a moody exploration of transformation set to an electro-score by the young composer and cellist Peter Gregson.

Marco Goecke’s Shara Nur was inspired by a lake in Russia whose water is rumored to turn the body red after a swim.

Eric Gauthier asked choreographers to create their very own version of Tchaikovsky‘s ballet “SWAN LAKE”.

Swan Lakes

After taking a break from choreographing outside his own company, renowned Choreographer Thierry Malandain has created an innovative pastoral double bill for the Ballet du Capitole, featuring the world premiere of his work Daphnis et Chloé.

Beginning with Debussy’s famous symphonic poem, l'après-midi d'un faune, Malandain has returned to his neoclassical roots, creating a tranquil yet humorous, pastoral scene featuring soloist Philippe Solano.  

This is followed by his impressionistic interpretation of Ravel’s 1912 symphony with choir, Daphnis et Chloé. Originally created for Diaghilev’s Ballets Russes, Malandain has reinvented this pastoral myth of innocence and love infusing it with his signature precision and whimsy. 

This world premiere brings together the vital forces of the Capitole: the Ballet, the Chorus and the Orchestra under the direction of Maxime Pascal.

Watch choreographer Theirry Malandain’s double bill featuring the world premiere of his reinterpretation of Ravel's Daphnis et Chloé.

Daphnis et Chloé

Symphonic Variations was Frederic Ashton’s first work after World War II, and one of the Company’s first to be performed on the huge main stage of the Royal Opera House, in 1946. With six dancers performing a series of quartets, duets, sextets and solos to Franck’s brooding Variations symphoniques, this seminal masterpiece celebrates the pure beauty of movement.

Ashton celebrates movement with six dancers in a series of quartets, duets, sextets and solos to Franck’s brooding Variations symphoniques.

Symphonic Variations

Wayne McGregor’s Dyad 1929, made for The Australian Ballet and featuring an electrifying score by Steve Reich, tests the limits of classical movement in a laboratory-white set.

Hailed by critics as a “total work of art”, this unmissable ballet stars promising young dancers like Adam Bull and Amber Scott.

Wayne McGregor choreographed and created Dyad 1929 for the Australian Ballet.

Dyad 1929

When the world came to a stop in 2020, there was still dance. World-renowned choreographer Wiliam Forsythe teamed up with singular talents like Tiler Peck to bring together exhilarating performances that perfectly captured the mood and intensity of the pandemic. 

The Barre Project (Blake Works II) also includes performances by Lex Ishimoto, Roman Mejia and Brooklyn Mack.

Tiler Peck is one of the dancers in William Forsythe’s pandemic production, The Barre Project.

The Barre Project

Christopher Wheeldon’s Alice’s Adventures in Wonderland burst onto the stage in 2011 in an explosion of color, stage magic and inventive, sophisticated choreography. Joby Talbot’s score combines contemporary soundworlds with sweeping melodies that gesture to ballet scores of the 19th century. Bob Crowley’s wildly imaginative, eye-popping designs draw on everything from puppetry to projections to make Wonderland wonderfully real. 

Alice encounters a cast of extraordinary and instantly recognizable characters, from the highly strung Queen of Hearts – who performs a hilarious send-up of The Sleeping Beauty’s famous Rose Adage – to a playing card corps de ballet, a sinuous caterpillar and a tap-dancing Mad Hatter. But the ballet does not avoid the darker undercurrents of Lewis Carroll’s story: a nightmarish kitchen, an eerily disembodied Cheshire Cat and the unhinged tea party are all here in vivid detail. The delicious result shows The Royal Ballet at its best, bringing together world-class dance with enchanting family entertainment.


Fall down the rabbit hole with the Royal Ballet's Alice's Adventures in Wonderland, choreographed by Christopher Wheeldon

Alice's Adventures in Wonderland

The 2016 production of Frederick Ashton’s final works, Rhapsody, features ballet stars Natalia Osipova and Steven McRae. 

Filmed at London’s Royal Opera House, Rhapsody has long been a favorite for ballet fans. First created in 1980 at the request of Mikhail Baryshnikov, the ballet is set to Sergey Rachmaninoff’s Rhapsody on a Theme of Paganini. 

The male Principal’s role is characterized by exceptionally fluent leaps, turns and lightness of movement, inspired by Baryshnikov himself. It is twinned with the strength and grace of the ballerina, a role created for the pure, fleet-footed style of former Royal Ballet Principal Lesley Collier. The first performance of Rhapsody was given in honor of The Queen Mother’s 80th birthday in 1980.

Experience the 2016 production of Frederick Ashton’s Rhapsody, filmed at the Royal Opera House and starring Natalia Osipova.

Rhapsody

The romantic ballet by Coralli and Perrot returns in the revival of Yvette Chauviré

A vast and ambitious project, Midsummer Night’s dream is danced by the Royal Swedish Ballet and set to a music by Mikael Karlsson. Swedish star pop singer Anna von Hausswolff sings through this great production, evidently one of a kind.

The Royal Swedish Ballet presents a contemporary Midsummer Night’s Dream, starring Swedish pop star Anna von Hausswolff.

Midsummer Night's Dream

Mayerling is a ballet choreographed by Kenneth MacMillan to the music of Franz Liszt. 

Dealing with dangerous desires, family secrets and political intrigue, the story was inspired by true life events. More specifically, the sexual and morbid obsessions of Crown Prince Rudolf leading to the murder-suicide scandal with his mistress Mary Vetsera.
Set against the backdrop of the oppressive but glamorous Austro-Hungarian court in the 1880s, this production is a masterclass in storytelling through dance.

Mayerling, choreographed by Kenneth MacMillan to the music of Liszt, is inspired by a true story of sex, obsession and tragedy.

Mayerling

Widely lauded by critics, choreographer Jonathan Watkins 1984 is an awe-inspiring retelling of George Orwells masterpiece. Winston Smith lives in a world of absolute conformity, his every action scrutinized by Big Brother. However, when Winston meets Julia, he dares to rebel by falling in love. Danced by Northern Ballet the UKs foremost narrative ballet company to a score by Tony-nominated composer Alex Baranowski, this thoroughly modern take on 1984 will change the way you think about ballet. Batley [Winston Smith] and Leebolt [Julia] are excellent, their bodies as vividly present as their faces are haunted. At the chilling end, we realise not only how intently we have been watching, but also that we too may be watched. (Sanjoy Roy, The Guardian) ""This is gripping storytelling"" (The Stage) ""..an ambitious, compelling and, ultimately, moving new ballet. Even more powerful are the intimate duets for Winston and Julia, verboten lovers who are dancing on a metaphorical razor's edge. Thinking themselves free of the gaze of Big Brother, they give themselves to each other with a genuinely moving passion, which is danced gorgeously by Tobias Batley and Martha Leebolt"" (The Daily Telegraph)

Jonathan Watkins 1984 is an awe-inspiring retelling of George Orwells masterpiece

1984

Because of Tchaikovsky’s imaginative music, “The Nutcracker” is one of the most popular works of the ballet repertoire, instantly bringing to mind scenes of a splendidly decorated Christmas room, dancing snowflakes and the waltz of the flowers. 

The plot of “The Nutcracker” is based on a novella by E.T.A. Hoffmann, one of the most famous writers of German Romanticism. While Hoffmann’s masterful fairy tale jumps eerily back and forth from a dream to reality, many of the ballet adaptations, like Peter Wright's and Marius Petipa's, have lost the darkness woven throughout this romantic fantasy.

In this production, choreographer Christian Spuck attempts to distance himself from traditional choreography and puts the literary origin at the heart of his ballet. Spuck emphasizes the fantastical nature of Hoffman's story and brings back the tale of princess Pirlipat, who turns into a nut monster. 

In Rufus Didwiszus’ stage setting, the workshop of the godfather Drosselmeier turns into an old revue theater, where the characters of the ballet come to life. Spucks’ choreography plays with the richness of characters in E.T.A. Hoffmann’s narrative cosmos, the absurdity and overwrought humor that inhabit them while at the same time looking down into the dark abyss of Romanticism.

Christian Spuck attempts to distance himself from the Dumas/Petipas version and puts the literary origin at the heart of his ballet.

The Nutcracker and the Mouse King

The story takes place in Naples where Pulcinella is a local rogue with an eye for the girls. Rosetta, Isabella and Prudenza are infatuated with him, much to the irritation of their boyfriends and Pulcinella's wife, Pimpinella. One night, the boyfriends lie in wait for Pulcinella and beat him soundly. To escape, Pulcinella falls down 'dead' and the men sneak guiltily away, leaving the 'corpse' to be discovered by their girlfriends. Meanwhile, Pimpinella, having caught Pulcinella flirting once too often, persuades her friends to disguise themselves as Pulcinella and pester the girls, to teach them a lesson. When the girls and their boyfriends see the fake Pulcinellas, they are convinced they are seeing ghosts. Pimpinella arrives, the fake Pulcinellas reveal themselves, and the real Pulcinella re-appears. The lovers ask forgiveness, and everyone celebrates.

The story takes place in Naples where Pulcinella is a local rogue with an eye for the girls.

Pulcinella

Shakespeare’s great romance gets a magical reimagining through the power of dance with Christopher Wheeldon’s The Winter’s Tale. 

Released to widespread critical acclaim, the Royal Ballet’s 2014 production is a masterful, modern narrative ballet which includes powerful designs by Bob Crowley and music by Joby Talbot. 

Now widely considered a modern classic, the ballet follows the destruction of a marriage through consuming jealousy, the abandonment of a child and a seemingly hopeless love. Yet, through remorse and regret – and after a seemingly miraculous return to life – the ending is one of forgiveness and reconciliation.

Christopher Wheeldon’s critically-acclaimed production of The Winter’s Tale for the Royal Ballet.

Mythologies

Ballet Preljocaj

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